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Published on Tuesday, November 25 2014 18:05
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Written by Grant Robinson
Judge Dredd #25
Published by IDW Publishing
Written by Duane Swierczynski
Art by Steve Scott
Judge Dredd is a character who holds a special place in my heart. Being Australian meant we got the best of both the US comic market as well as the UK. Which meant two things. Batman and Judge Dredd. Although there are some obvious differences, both characters have that "I'm helping the city but I'm also a complete badass." vibe going. Now I'm not sure if Dredd has captured the attention of the US market, but I really hope we have all moved past the movie starring a certain large chinned action star and embraced an under rated New Zealand actor in the more recent movie. IDW hopes you have too. As a childhood 2000AD reader, I was super excited to pick up IDW's latest series when it debuted. Even more excited when they put a respectable writer like Swiercznski on the book. As long as he embraces stories from the past and didn't try anything too extreme, it should be a winner. And it was. My own theory stopped me from buying any issues after the first story arc. It wasn't experimental enough. Sure it was great to have a trip down memory lane but there was something missing to keep me going.
25 issues down and with the same writer, I thought maybe it was time to see how its all progressing. And progressing it is! It's clear by now that Swierczynski has taken ownership of the character. Maybe not to the likes of John Wagner or Alan Grant, but still good enough to be considered original and entertaining. But be warned. 25 issues in and there seems to be already some heavy elements of continuity and picking up an issue like this mid arc may not be the best way to go. If you can get past that or maybe already have enough knowledge of the character then you will enjoy this story. Judge Dredd has been exiled to Titan by the Chief Justice where it seems he had a run in with the Dark Judges (last issue I presume). Having returned to Mega-City One, he is now hunting the Chief Justice for some, well, Justice! A background story centers on a look alike of the Chief Justice so its clear this story will come to a conclusion soon. Dredd himself doesn't appear until about half way through the book but once he does the book steps up another level. Some great moments showing the lawlessness of the City, the steps taken by those wishing to remain in power and Dredd doing what Dredd does best. He is, after all, The Law.
The Art complements the story well and shows off some great action scenes as well as Mega City One. Not as dark and gritty as the British series, Scott has done well to not over stylize or journey to far from the original concept. Some characters faces seem a little rough but other than that, its quite good.
So if you haven't already given this book a chance with the previous issues, put down one of the 25 Death of Wolverine books and give it a go. British greatness updated for a modern audience with a legendary character. You wont regret it!
Judge Dredd #25 gets 3.5 Kiwi Actors out of 5
Hellboy and the B.P.R.D 1952
Published by Dark Horse Comics
Written by Mike Mignola & John Arcudi
Art by Alex Maleev
I have quite a large pile of shame when it comes to Comics. Books that are considered classics. Books that changed the medium forever. Books that others tell me are "must reads". Some of these books I own and are sitting in the waiting to be read pile, some are just on my mental list of "I'll get to them eventually.". I've also read a lot of other great books and there is no real shame in having a pile like this. I'm sure every comic reader has it.
Unfortunately, on this list is the entire Hellboy series. I've never read any of them. I'm always told how great they are. Mignola is a genius etc., but I'm pretty sure someone once told me they are the Tim Burton of the comic world and that was it, I was never going to read them. With a new series now released by Dark Horse, its probably about time I made my own mind up. And I'm so glad I did.
So like most people I've seen the two Hellboy movies. Although like most comic book movies, it's probably a bastardized version of the books, there was still enough to give me the basic understanding of Hellboy. With that knowledge I jumped straight into this series, and now I have to go find every Hellboy or B/P.R.D book printed. Because damn its good! So I guess a prequel of sorts, as the title suggests, the book is set in 1953. Hellboy's about to embark on his first mission for the B.P.R.D under the watchful eye of the human members. They are tasked with investigating a village in Brazil which has been attacked by some superhuman being. At this stage that is neither here nor there as the story is more focused on the team and Hellboys inclusion. Grounds for sabotage gets laid, mysterious characters introduced and lot of narrative. I don't mind a lot of narrative when the writing is this good.
The art is fantastic. It would be easy to say, "well its Alex Maleev, 'nuff said, but it's so much more. It's exactly what I would expect from a story like this. Dark, moody and consistent. The contrast of Hellboy being this big red creature is fantastic. You get the sense that it really is 1952 and the world is recovering from WW2. I can see where the comparisons to Tim Burton come from though. But with no silly emo/goth characters. It would also be easy to say that Maleev has just done it like Daredevil again, and that's probably true, but when that series was fantastic too, why not do it all over again!
If you are like me and unfamiliar with Hellboy, this is a great jumping on point. If you already know the characters, then I'm just preaching to the converted.
Hellboy and the B.P.R.D gets 4 dark and mysterious Wombats from Hell out of 5
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Published on Wednesday, June 04 2014 20:34
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Written by Russ
This past Memorial Day weekend I was lucky enough to once again to attend Comicpalooza in Houston, TX. This is the fifth year that it has been held at the spacious George R Brown Convention Center. I've covered this convention since it's second year when it was located inside West Oaks Mall. It's with great pleasure that I can say it's come a long way. Attendance this year seemed to be at an all time high. I lived in Houston for almost 20 years and it's nice to be able to have a full sized comic convention in my former home town. Luckily I only live a couple hours away so attending the con is easy.
When you walk into Comicpalooza's floor the first thing you notice is that you have room to move. For anyone that's attended New York Comic Con or San Diego Comic Con, this is a breath of fresh air, literally. The aisles are wide, everything is spread out, and there are plenty of places to sit and relax. It also makes taking pictures easier since you can move out of a traffic area and get good shots of the cosplayers and the activities that are going on everywhere.
Compicpalooza is not your average comic convention. Do you like more than just comics? If you do then there's plenty for you to see. Due to the size of the convention center, Compicpalooza has an entire area sectioned off for a wrestling ring, roller derby rink, swordplay demonstations, maker bot demonstrations, and much more. This gives the con a much wider appeal than your typical comic con. Steampunk and anime have a strong presence at this con from cosplayers, to costume designers, props, etc.
Celebreties are a large portion of any con and Comicpalooza continues to bring in A list talent. This year's standout was most of the principle cast of Marvel's Agents of S.H.I.EL.D. Clark Gregg, Ming-Na Wen, Elizabeth Henstridge, J. August Richards, Brett Dalton and Glenn Moreshower all appeared for photos and signings and had huge lines at their tables. Also in attendence where Stan Lee, Lou Ferrigno, John Barrowman, Billy D. Williams, and a ton of others. The highlight of the convention for me personally was attending the Agents of S.H.I.E.L.D. panel. It's great to see the energy this cast brings to the fans. Especially Clark Gregg, that man knows how to work a room and is really genuine.
It wouldn't be a comic convention without comics and comic talent. Again Comicpalooza continues to improve in this area. I saw many more comic vendors this year than in years past. More vendors in general than years past. For comic talent they had Neal Adams, Jim Steranko, Michael Golden, Kevin Maguire, Shane Davis, Greg Capullo, and a bunch of local and regional talent sketching, selling prints and meeting with fans.
This year the convention expanded to four days. Due to my work schedule, I was only able to attend on Saturday and Sunday. Saturday
was the busiest I've ever seen this convention. Sunday was more calm but still really steady. There is plenty of staff on hand to assist with questions and directions. As a member of the press it was nice that in the larger panel rooms they allowed press in early to get setup and have a nice view of the panel to record or take pictures. This is rare for any convention and I wish more organizers would follow Comicpalooza's lead. For outlets like ours that aren't major national networks or high profile media outlets, it's really appreciated. The only thing the organizers need to work on is registration. The line Saturday for passes was 2-3 hours long. I chalk this up to the expansion of the con in attendance and duration and hopefully they can have a better system worked out for 2015. In Comicpalooza's defense this is an issue for most conventions outside of New York or San Diego.
If you live in Texas and have been waiting for a con that gives you diversity, quality, and room to breathe then I highly recommend Comicpalooza. I've attended the Dallas area conventions as well as the Wizard World shows in Austin and Comicpalooza has become a head and shoulders better show in my opinion. Be sure to check out some more pictures from the con at
hhwlod.com Hopefully we can arrange a 2015 HHWLOD meet up. See you then!
Russ